This post gathers fragments from the dynamic residency held at La Central del Circ during two phases (September 2021 and January 2022). The framework was clear: to open the research process and relate it to other disciplines, without the pressure of producing a finished format. The goal was to test systems, but in real conditions, with all that implies: limited time, mobile equipment, intuitions not yet fully formed.<\/p>\n\n\n\n
The project revolves around the idea of a generative system applied to live arts. Not just as a technological tool, but as a structure that connects various inputs: movement, light, sound, visual interfaces. We\u2019re interested in observing how these connections can transform stage writing, and how they can open up new ways of being on stage\u2014more situated, less fixed.<\/p>\n\n\n\n
During the first phase, we focused on the relationships between juggling movement, lights, and music. No dramaturgy, no narrative, just observing what kind of response the system generated when working with open parameters. The work was very physical, very trial-and-error. We used sensors, basic light control, and a reactive sound system that was still unstable, but already hinted at certain directions. The video below shows part of those first explorations:<\/p>\n\n\n\n