Artistic foundation


For some time now I have been quite obsessed with ambient music and the generative systems that many sound landscapers use to reach new horizons and textures. After researching a lot about generative music, I decided to do the same with juggling, and look in the direction of a couple of genres that I currently call Ambient Juggling and Generative Juggling.

Core of the project

With all the resources that we would found with the Polychromatic Void investigations, we will connect juggling, music, video, lighting, code and animation with the aim of forming a system that reacts and interacts, where each of the factors speaks to the others.

The album and the Live Performace

With this system we will record a handfull of pieces from 7 to 15 minutes, with the textures and atmospheres that we love the most, to make a Ambient Juggling Album.
This album will be able to played in live, and we will broadcast each time it is performed analogically, although the digital version will be transformed with animations and feedbacks in real time.

To make it clear that everything we see in stream is an altered version of reality by technology and its components, thus turning the project into a hybrid action.

Record a videoclip for each piece/song to make a ambient juggling album.

Ambient Juggling is an unpretentious juggling, it is an act that has as its engine the constant dissolution, it exists without having to stand out with respect to the environment.

Generative juggling goes a step further, trying to understand the whole environment as a system that gives inputs and receives stimuli, and based on all these parameters it evolves towards unplanned places, but they can be bounded.


System Polylog and its relationship with Polychromatic Void

Polychromatic Void is more aimed at generative juggling. Create a system between juggling, video, music, lighting, code and other elements, where everything is connected and in a constant dialogue.