
Since I started with the diabolo, I’ve enjoyed grinding. I train a lot at skateparks, and there I’ve learned that when a grind comes out solid, you recognize it by the sound of the friction and by the body line, clean and stable. I like the glide, the clean noise when everything fits, and knowing…

A slap, “batzac” in Catalan, is spinning a stick with a sharp hit when it is already in the air after being thrown. These are short and dynamic tricks that usually work as an accent within a more complex movement. There are three clear moments. First, the throw. Second, the reading of the flight to…

It was really great to play Dame du Cirque outside at TRENGO FESTIVAL, this year called TRENGOLAS, organized by Erva Daninha, nice audience, nice vibes, nice organization.It was a pleasure to be there. See you next time! This Miriam Ponsa costumes work great outside! Enjoy those fotos taken by Miguel Oliveira.

It was really great to play at TRENGO FESTIVAL, this year called TRENGOLAS, organized by Erva Daninha, nice audience, nice vibes, nice organization.It was a pleasure to be there. See you next time!

A YouTube video of diabolo juggler that improvise with flat orbits and north winds, that atmosphere is cold and icy, and there is a tense calm that you can feel. Practice session in a quiet space where movement and sound meet without haste. Airs from the north, cold and icy, anticipate a tense calm. The…

Exploration session with the diabolo at a slow tempo and gentle beat, where movement and sound share the table like in a conversation without hurry. The spirals stretch until they thin out, the circular trace drifts without closing, and the music, evolving at a calm pace, invites you to listen to the edges of the…

Improvisation session with the diabolo where movement and sound meet as if sitting at the same table: the body looks for the pulse, the object responds with echoes that bounce and stumble. The delays change direction and force you to fine-tune your listening; when the wave returns, the arm is already preparing the next step…

Session where the diabolo traces unusual orbits at a slow tempo and organic beat, like a train moving in slow motion. The rebounds are heard with space, and the consequences mark new routes: when the trajectory enters the dark side, the body modulates balance and the sound softens. The work unfolds with pistons that push…

Recording of a routine focused on the repetition of lateral oscillations, with continuous movement from side to side of the body. The motion steps out of the axis and avoids the usual diabolo line, opening up exploration toward new fronts at very low speed. The changes are subtle, cumulative, never settling into a pattern. Comes…

Investigació de malabars amb el diàbolo durant la posta de sol. La música que sona al vídeo és la que escolto mentre vaig fixant la rutina, aquest paisatge sonor que fluctua i rebota em traspassa i que contamina el meu joc.

Short composition with gestures that stretch and retract.Suspensions, stick releases, grinds, and figures linked in a spiral.A soft tension is maintained, with derivations that never close. Suspended A twist that doesn’t turn,the hand doesn’t decide,the object suggests.something wants to fallbut finds no place

Hand Fan is a slow exploration of a small combo with diabolo.The movement unfolds through spins, rhythm variations, and pauses that link together like fragments of an idea still taking shape.It all begins with a simple gesture and slowly transforms into a living structure. Silab ic A tap and fall,do and undo Spin pulls,draws out…

A new stage of exploration begins. In these days when living at home is part of everyday life, space also opens up to try expressive forms that can be developed right here. This marks the start of a process where diabolo juggling and musical improvisation meet and transform each other. The proposal is clear. Diabolo…
This December we were in residence at La Cascade, in Bourg‑Saint‑Andéol, as part of the Pôle National Cirque. A clean, direct workspace, ideal for detailed testing. There we continued work on Dame du Cirque, and for the first time rehearsed with the Sherpa collection costumes designed by Miriam Ponsa. The Sherpa collection is inspired by…

The diabolo geeks twirl and spin in a workshop of sound, Their art speaks to the music inputs, a symphony profound. The system dances and reacts, a mesh of feedback and flow, An intertwining of motion and melody to and fro. The energy radiates and circles the room, The artists revel in their creative doom.…

Last week, Santiago de Compostela became our home. We were there for 326 MORMURs,, a performance that’s less about flashy spectacle and more about the essence of life told through the movements of diabolos and the stark imagery of cactus. Inviting the audience to see beyond juggling reflect existence of our selves. Juggling training with…

Today we arrived in Agramunt.No audience, no rush. Just us, the square, and time to prepare. We set the lights on the ground, marked the entrances, and adjusted details. We like to test everything under the same conditions we’ll have tomorrow: the same place, the same time, the same light. Rehearsing like this helps us…

El 4 de maig de 2019, vam portar un fragment de Dame du Cirque al Poble Vell de Corbera d’Ebre, dins del Cabaret Delicatessen de NILAK i en el marc de la VI Biennal d’Art. La jornada havia començat a les quatre de la tarda amb un taller de dansa contemporània i una visita guiada…

I met Nadine in Toulouse, when she was creating Amor en tiempos de Ikea. It was a really good time, sharing hours and training with Nacho Flores and the Subliminaty Corporation crew. I’ve always liked Nadine’s universe. Unapologetic and willing to get dirty in the mud. It’s visual, it’s theatrical, but when you work with…
Dame du Cirque | Vaudeville Rendes-Vouz 2018